Why I was hard on myself as the narrator of my memoir: Guest Post by Jenny Valentish

Lee Kofman is a straight talker. When she told me – over a refreshing beverage in South Melbourne – that she felt I was too hard on myself as a memoirist, my inward response was to bristle. I’d just written what could be loosely described as an addiction memoir, Woman of Substances. Essentially, it is my back catalogue of misdeeds, spread across research-heavy chapters about the unique issues of women who use drugs and alcohol. I didn’t go light on the ugly. ‘You didn’t linger on any of your … [Read more...]

Thematic compass to guide memoir writing: Guest Post by Cassie Lane

My memoir, How to Dress a Dummy, began as a Creative Writing Master’s thesis - a feminist critique of the beauty industry. The creative component was a recounting of my experiences working as an international model. A member of my writers group told his publisher about my secretly-always-wanted-to-be-a-book thesis. The publisher then contacted me, asking if I could turn my 15,000 words into what it had always wanted to be. Once the elation from signing a contract with my name written … [Read more...]

How to write 3 memoirs by the age of 35: Guest Post from Ashley Kalagian Blunt

The second memoir I wrote was a romantic comedy about how my boyfriend and I finally decided we could live on the same continent. When I had an adequate draft, I sent it to a manuscript assessor. ‘It works’, she said. ‘You could write the next one about life in Australia.’ How could I write a third memoir? I thought. I’m only 32.   The first memoir didn’t even start as a memoir. I’d planned to tell the story of my great grandparents’ survival of the Armenian genocide. In 2010, I … [Read more...]

Literary Friendships

I think I got more lovers than useful writing advice from the various writers’ groups I tried in my younger years, even though those groups were often composed of intelligent people, and sometimes even acclaimed authors. Partly this must be due to my solitary disposition, and partly because it’s damn hard to come across writers (who aren’t also professional editors) who can guide fellow writers. Writing well and helping others to write are altogether different things. But my biggest issue with … [Read more...]

Writing about not writing

It feels apt to round up the discussion of creative nonfiction that I’ve had here for the last two months by looking in-depth into one creative nonfiction book that in my view exemplifies this genre’s best virtues – its irreverent nature and freedom of form. Geoff Dyer’s Out of Sheer Rage means a great deal to me both as a reader and a writer. Dyer is possibly the quirkiest writer in the UK - a country with a reputation as a breeding ground for quirky writers. Dyer’s fiction and creative … [Read more...]

How to be a writer AND an author: Guest Post by John Fanning

A Canadian novelist once said to me that the difference between a writer and an author is that a writer writes, but an author writes and represents her writing, when it’s done and edited. But when I started out writing, over twenty years ago, I thought you wrote something, sent it to an agent, and then got it published. Now, I know from experience, if you write something which fits into a specific niche, or genre, then this could be the case – if you’re lucky, or connected, or a rare exception. … [Read more...]

My top 7 tips for writing creative nonfiction

To follow on my last post in which I sang the praises of creative nonfiction, this month I’d like to share with you some stuff I have learned about working in this often misunderstood genre (after much trial and error). Here are my top tips. Writing is reading The most obvious, and least sexy, tip is that to engage deeply with creative nonfiction you have to read as many books in this genre as you can. Of course every writer knows, or at least so I hope, that reading for writers is as … [Read more...]

I am Joe: the joy in writing across gender. A guest post from Myfanwy Jones.

‘I am, at heart, a gentleman,’ drawled the iconic German movie star. A century ago, Marlene Dietrich was taking liberties: she wore well-cut men’s suits when this was considered insolent. She took lovers, of both sexes. She was disobliged, and this gave her power, and access. (She also had that incredible voice.) Authors take liberties, too. One of the privileges of the writing life is that we get to try on other sexes and walk around in them, sometimes for years at a time. But how well do they … [Read more...]

Creative nonfiction – the new black?

I discovered creative nonfiction only at 31, accidentally, and first as a writer rather than a reader. This was Writers Victoria’s fault. I had been in Australia four years by then. I had three fiction books published in Israel, but zero knowledge of the local literary scene. At least I knew to sign a membership with Writers Victoria. It was in their magazine where I saw a call for submissions by Griffith Review, asking for personal essays on the theme of communities. I had never written a … [Read more...]

The ‘hows’ of collaborative writing: A guest post by Anthony Morris

The novel The Hot Guy started out as a joke. My co-author Mel Campbell and I are both film reviewers, and we often go together to preview screenings as part of our job. One day we started talking, jokingly, about what it would be like to see a movie where the attractive male lead was being unknowingly preyed upon by a collection of savvy women just using him for his body. The more we discussed this idea, the more it felt there was a real story there. Maybe the joke could work as a novel. We were … [Read more...]